Through the threshold signature scheme, DingPay can protect the security of users' private keys while reducing the risks caused by loss or leakage of private keys.

NEAR is hovering around the key $3.5 support level. Bulls need to break through the key EMA to avoid further decline to $2.6. At present, the subsequent liquidity improvement is still unknown. The current priority is to survive.

If my understanding is not too far off, I think that Forked Bitcoin is somewhat similar to a sidechain, and is not particularly different from other Bitcoin second-layer extensions in terms of security.

Amid intense criticism of the Ethereum blockchain and its poor performance this year, VanEck head of digital assets Matthew Sigel has come to the defense of the network, citing its strong economic model.

In the context of the 2024 US election, candidate-related tokens have the dual attributes of political participation tools and investment products. These tokens provide supporters with new ways of political expression, while also providing investors with high-risk and high-return speculative opportunities.

Go Mainstream! Soneium, which is aimed at mainstream users, has attracted more than 60 ecological projects in half a month.

Ethereum Foundation, ETH, market, crypto market, Ethereum Foundation dumps ETH again ETH: How long can the foundation's funds last? Does Ethereum still have a future? Golden Finance, Ethereum Foundation continues to sell ETH, causing market panic.

In cases of opening a casino or gambling, in addition to the prison sentence, what the parties and their families are most concerned about is how the court will deal with the parties' property?

In July 2024, the first spot Ethereum ETF was approved for listing. Although it provided a new investment channel for retirement account investors, the short-term market response was flat and no staking rewards could be obtained.

With interest rate cuts approaching, seize the opportunity to study historically successful projects, plan ahead, and look for breakthroughs.

According to Blockworks, researchers at Korea University in Seoul interviewed 16 Korean musical artists to understand their views on blockchain's potential use cases in the music industry. The study, published in a subsidiary of Nature, revealed mixed opinions. While the artists saw blockchain as a possible new revenue stream and a means to protect copyright, they doubted that blockchain-enabled applications would become a reality. Their skepticism stemmed from the belief that blockchain music startups would not have the power to challenge the current giants in the music industry. The music industry has been a popular target for Web3 development, but startups have yet to make a significant impact on the status quo. Warner Music Group-backed MITH is building a Web3 social engagement platform for musical artists. Rapper Jack Harlow used MITH for ticketing on his recent tour after partnering with the platform. Similarly, Modhaus raised $8 million in a Series A round for its K-pop fan engagement platform. LimeWire, the early 2000s file-sharing site, recently launched a blockchain-enabled AI Music Studio. In other news, Jay Cassano, former CEO of crypto media company Cointelegraph, launched his own Web3 marketing agency, 4Labs Digital. The agency will serve as a Web3-focused spinoff from Wachsman, a popular crypto press relations firm where Cassano was most recently chief growth officer. 4Labs has 24 staff members and will offer digital marketing services. Cassano was editor-in-chief of Cointelegraph from October 2019 to September 2020 and served as the company’s CEO until 2022.

暗号資産（仮想通貨）MATICに関係するポリゴンラボとワーナー・ミュージック・グループがWeb3ミュージック・アクセラレーター・プログラムの初受賞者を発表した。MITHとMuus Collectiveの2つの革新的なプロジェクトが音楽とWeb3の融合を推進し、アーティストとファンの新しい体験を提供する。 source: https://coinpost.jp/?p=507177

코인텔레그래프에 따르면 글로벌 엔터테인먼트 회사 워너뮤직그룹(WMG)와 폴리곤 랩스가 공동으로 진행하고 있는 음악 액셀러레이터 프로그램 첫번째 그랜트 수령 프로젝트 2곳이 발표됐다. AI 기반 팬참여 플랫폼 MITH와 모바일게임 및 NFT 등의 패션 기반 음악 플랫폼 뮤즈 콜렉티브(Muus Collective)다. 선정된 두 프로젝트는 WMG와 폴리곤 랩스로부터 재정적 후원 및 전문가 멘토링, 네트워킹 기회를 얻는다.

MITH and Muus Collective have become the first funders of Polygon Labs and Warner Music's Web3 Music Acceleration Program. The former is a fan engagement platform that allows artists to unlock artificial intelligence-driven insights and analysis; the latter is creating "fashion-centric experiences." Includes mobile games, entertainment and digital collectibles.

According to Blockworks, concert-goers at Jack Harlow's recent show in Lexington, KY, experienced blockchain technology without even realizing it. MITH, a Polygon-based fan engagement startup, partnered with the multi-platinum rapper to offer on-chain VIP tickets for his mini-tour in Kentucky. The company created on-chain records of attendance at the shows, using a 'mullet' approach to get users on board – Web2 in the front, Web3 in the back. MITH plans to launch platforms for creatives to monetize fan interactions and for fans to accrue rewards and collectibles, with the on-chain pieces happening behind the scenes. Incubated by Range Media Partners in 2022, MITH came out of stealth in late November after Jack Harlow debuted his MITH-powered website where fans could purchase premium experience tickets for his upcoming shows. MITH validated the tickets on-chain with Tokenproof, an on-chain ticketing protocol, so fans had the option to add their ticket to a crypto wallet but only needed to scan a QR code to enter. The company did not pay Harlow for his use of the platform, as he wanted to advise on the future of the product and have upside. MITH raised $3.5 million in seed funding with participation from Warner Music Group, Winklevoss Capital, and the NEAR Foundation, among others. The startup initially built a more complex platform for Harlow before he asked them to scale back the 'Private Garden' website to focus just on tickets. MITH's founders, Matty Ayers and Emilio Sanchez, believe the best uses of blockchain tech for fan engagement will ultimately emerge down the road. They are working on 'co-creation' where fans can create derivative works started by popular creatives, with monetization and intellectual property rights handled via blockchain. MITH plans to open up 'self-serve' to more creators in the first half of 2024.